Damage Function for Modern and Contemporary Heritage Textiles: a Tool to Aid in the Management of Textile Collections

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Damage Function for Modern and Contemporary Heritage Textiles a Tool to Aid in the Management of Textile Collections

Damage Function for Modern and Contemporary Heritage Textiles: a Tool to Aid in the Management of Textile Collections

OMB: 3095-0070

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Informed	Consent	Form
OMB	Control	No.	3095-0070.	Expires	1/31/2024
We	are	asking	you	to	participate	in	this	research	study	as	a	volunteer.	You	must	be	age	18	or	older	to	participate	in
the	study.	The	information	in	this	consent	form	is	to	help	you	decide	if	you	want	to	be	in	this	research	study.	Please
take	your	time	reading	this	form	and	contact	the	researchers	to	ask	questions	if	there	is	anything	you	do	not
understand.
The	purpose	of	this	research	study	is	to	develop	a	statistical	model	that	allows	for	estimating	the	duration	of
modern	and	contemporary	textile	heritage	objects,	considering	their	values,	ways	of	use	and	storage	conditions.
This	study	is	being	conducted	by	researchers	at	the	U.S.	National	Archives	and	Records	Administration,	University
of	California,	Los	Angeles,	Federal	University	of	Pelotas	and	University	of	Sao	Paulo.	Funding	for	this	study	is	being
provided	by	the	Fulbright	Association	(Fulbright-National	Archives	Heritage	Science	Fellowship)	and	the	Brazilian
Coordination	for	the	Improvement	of	Higher	Education	Personnel	(CAPES).	
If	you	agree	to	be	in	this	study,	you	will	complete	a	survey.	The	survey	includes	questions	about	values,	ways	of	use
and	expectations	regarding	the	conservation	and	duration	of	textile	heritage	objects,	and	should	take	you	about	10
to	15	minutes	to	complete.	You	will	be	asked	to	answer	the	survey	questions	using	an	object	to	which	you	have
access	as	a	reference.	You	can	skip	questions	that	you	do	not	want	to	answer.
Being	in	this	study	is	up	to	you.	You	can	stop	up	until	you	submit	the	survey.	After	you	submit	the	survey,	we	cannot
remove	your	responses	because	we	will	not	know	which	responses	came	from	you.	
We	do	not	know	of	any	risks	to	you	from	being	in	the	study	that	are	greater	than	the	risks	you	encounter	in
everyday	life.	We	do	not	expect	you	to	benefit	from	being	in	this	study.	You	will	not	be	paid	for	being	in	this	study.
Your	participation	may	help	us	improve	the	management	and	preservation	of	textile	heritage	objects	and
collections	at	this	and	other	heritage	institutions.	We	hope	the	knowledge	gained	from	this	study	will	benefit	others
in	the	future.
The	survey	is	anonymous,	and	no	one	will	be	able	to	link	your	responses	back	to	you.	Your	responses	to	the	survey
will	be	coded	and	anonymized,	and	will	not	be	linked	to	you	in	any	way.		Information	collected	for	this	study	will	be
published	and	possibly	presented	at	scientific	meetings.	
If	you	have	questions	or	concerns	about	this	study,	or	have	experienced	a	research	related	problem,	please	contact
Lais	Feltrin	Sidou	at	lais.sidou@ufpel.edu.br.
I	have	read	this	form,	been	given	the	chance	to	ask	questions	and	have	my	questions	answered.	If	I	have	more
questions,	I	have	been	told	who	to	contact.	By	completing	and	returning	the	survey,	I	understand	that	I	am
agreeing	to	be	in	this	study.	I	can	keep	a	copy	of	this	consent	information	for	future	reference.	If	I	do	not	want	to
be	in	this	study,	I	do	not	need	to	do	anything	else.	

Access
Thank	you	for	your	interest	in	contributing	with	this	project!
In	order	to	participate,	you	must	select	one	object	from	those	to	which	you	have
access	at	the	institution	you	are	currently	in,	and	use	it	as	a	reference	in	answering
the	survey	questions.	The	selected	object	must	meet	all	the	following	criteria:
Have	originated	in	the	20th	or	21st	centuries;
Be	a	clothing	object	(civilian	or	military	attire,	costumes,	and/or	accessories
such	as	gloves,	stockings,	hats,	etc.	Shoes	and	fur/leather	are	out	of	the	scope	of
this	project);
Have	textile	materials	as	its	major	component	(any	kind	of	fabric,	yarn	or
threads	composed	of	any	textile	fiber;	hand	or	industrially	produced).
Please,	answer	the	following	questions	considering	your	personal	opinions	and
experience	with	the	reference	object.
1.	You	are	a/an...	
Professional	at	a	heritage	institution	of	any	kind
Cultural	heritage	researcher
Academic	researcher	in	a	different	field	of	study
Visitor/general	public

2.	Where	are	you	answering	this	survey?
Name	of	institution	or	exhibition.	This	information	will	not	be	used	to	identify	you	in
any	way.	

3.	Where	is	the	institution	located?	(City,	State)	

Object	characteristics,	significance	and	values
4.	Briefly	describe	your	reference	object.
Include	details	such	as	type	of	object,	date	(if	available),	color,	materials	and/or	other	aspects
that	you	find	relevant.

5.	Rate	each	sentence	on	a	scale	of	1	(one)	to	5	(five),	1	being	=	Strongly	Disagree,	2
=	Disagree,	3	=	Neither	agree	nor	disagree,	4	=	Agree,	5	=	Strongly	Agree:
The	reference	object	is	important	because	(of)...	
	
1
its	shape,	color,
texture,	sheen,
pattern
and/or	other	visual
aspects
its	apparent
condition
it	is	an	old	or	ancient
object
it	can	be	understood
as	a	work	of	art
it	was	created,
belonged	to,	or	was
worn	by	a	famous	or
historically	relevant
individual
its	original	creation
or	use	context,	or	its
present	heritage
context
it	is	or	can	be	used
in	educational
activities
it	is	representative
of	a	specific	era	or
social	group	from
the	past
it	represents	the
identity	of	a	specific
group	or	a	national
identity	and	values
it	is	a	potential
source	of
information

2

3

4

5

Don't
Know/Can't
Anaswer

its	actual	or
perceived	monetary
value
it	is	a	new	object
the	way	it	was
produced	and/or	the
materials	that
compose	it
it	is	a	resource	for
academic	research
it	holds	sentimental
value	for	me	or
someone	close	to	me
the	way	it	was	used
before	being	part	of
a	heritage	collection
it	is	an	original
object	(it	is	not	a
replica)
it	as	a	unique	and/or
rare	object

Ways	of	use	and	future	perspectives
6.	In	what	way(s)	is	it	possible	to	interact	with	this	object	in	this	institution?
Check	all	that	apply	
In-person	exhibitions
Online	exhibitions
Educational	activities
Academic	research
As	inspiration	for	making	replicas	or	other	objects
Other	(please	specify):

7.	When	thinking	of	future	generations	going	to	museums	and	other	heritage
institutions	to	use/interact	with	objects	like	this	(modern	and	contemporary	textiles)
and	their	collections,	how	far	in	the	future	do	you	imagine	this	activity	happening?
Please	select	only	one	answer	
Up	to	100	years
100–200	years
200–500	years
500–1000	years
Over	1000	years
Forever

8.	How	long	in	the	future	would	you	like	your	reference	object	to	be	available	to	be
used	in...
Please	select	only	one	answer	for	each	row	

	

Up	to	100
years
In-person
exhibitions
Online	exhibitions
Educational
activities
Academic	research
As	inspiration	for
making	replicas	or
other	objects

100–200
years

200–500
years

500–1000 Over	1000
years
years

Forever

Not
applicable/Object
is	not	used	in
this	way

9.	How	long	in	the	future	would	you	like	the	collection	which	the	reference	object	is
a	part	of	to	be	available	to	be	used	in...
Please	select	only	one	answer	for	each	row	

	

Up	to	100
years

100–200
years

200–500
years

500–1000 Over	1000
years
years

Forever

Not
applicable/Object
is	not	used	in
this	way

In-person
exhibitions
Online	exhibitions
Educational
activities
Academic	research
As	inspiration	for
making	replicas	or
other	objects

10.	How	would	you	define	the	“end	of	life”	for	this	object?	What	would	need	to
happen	for	the	object	to	reach	this	state?	

Condition	and	physical	characteristics	of	the	object
11.	In	your	opinion,	what	is	the	condition	of	this	object?
Please	select	only	one	answer	
Very	Good
Good
Fair
Poor
Very	Poor

12.	In	your	opinion,	which	of	the	following	define	an	object	in	poor	or	very	poor
condition?
Check	all	that	apply	
Stains
Tears
Unstitched	areas
Missing	object	parts
Fabric	thinning
Loose	material	(detached	from	the	object)
Fabric	stretching	or	creasing
Loose	threads
None	of	the	above
Other	(please	specify):

13.	Considering	the	significance/values	of	your	reference	object,	check	which	way	of
use	would	become	impossible	or	very	difficult,	in	your	opinion,	if	any	of	the	following
happens:
Check	all	that	apply	for	each	row	

	
In-person
exhibitions
Stains
Tears
Unstitched	areas
Missing	object	parts
Fabric	thinning
Loose	material
(detached	from	the
object)
Fabric	stretching	or
creasing
Loose	threads

Online
exhibitions

Educational
activities

Academic
research

As
inspiration
for	making
replicas	or
other	objects

None

Demographics
14.	How	old	are	you?	

15.	What	is	your	gender?
Please	select	only	one	answer	
Female
Male
Non-binary	or	third	gender
Other	(please	specify):

16.	What	is	your	race?
Please	select	only	one	answer	
White
Black	or	African	American
American	Indian	and	Alaska	Native
Asian
Hispanic	or	Latino
Native	Hawaiian	and	Other	Pacific	Islander
Multiracial
Other	(please	specify):

17.	What	is	your	educational	attainment	level?
Please	select	only	one	answer	
Less	than	high	school	diploma	or	equivalent
High	school	graduate	or	equivalent
Some	college	but	no	degree
Associate’s	degree
Bachelor’s	degree
Advanced	degree	(master’s,	professional	or	doctoral
degree)

18.	What	is	your	profession?	

19.	What	is	your	current	place	of	residence	(City,	State)?	

20.	How	many	times	a	year,	on	average,	do	you	visit	museums	or	exhibitions?	

Closing	remarks
21.	Is	there	anything	you	would	like	to	add?
Optional	

22.	If	you	would	like	to	receive	communications	with	the	results	of	this	research
project,	please	leave	your	email	address	below:
Optional	

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OMB	Control	No.	3095-0070.	Expires	1/31/2024	


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